Berlin, City of Stones: Book One
- legend: all quotes marked (page #: panel #)
- all extra-imagery text: text
- all inter-imagery, bounded text: "text"
- all inter-imagery, incorporated text: text
1
ch ch ch ch ch ch ch ch ch ch ch (5:2)
CH CH CH CH CH CH CH CH CH (5:3)
"Hello." (6:2)
"Good day." (6:3)
"Just aboard?"
"Er...No. Just changing compartments. A disagreement."
(6:4)
"My company in the last was quite, uh...lacking." (6:5)
"And although I seem unable to escape those of similar persuasion, at least here sleep keeps them at bay." (6:6)
"Assuming...I'm sorry, I mean you no offense."
"No, no, none taken."
(6:7)
"Would you mind?"
(7:1)
"Not at all." (7:2)
"Let me just--" ch ch ch ch (7:3)
ch ch ch ch ch (7:4)
"Do you write?" (7: 5)
"? Oh. No. Not in this, I mean. This is for drawing." (7:6)
"An artist! Wonderful! What sorts of things do you draw? Religious scenes and all the rest?" (7:7)
"No, only what I see. I don't really make things up. I draw things I see, things that strike me." (7:8)
"May I...?" (7:9)
"There's not very much in it; I haven't had it very long." (7:10)
"I thought it was a writing tablet. You draw on ruled paper?" (7:11)
"Yes. My diary is a sketchbook, it's blank. I like it that way." (7:12)
"I'm not sure why." (7:13)
"They are nothing, really. I mean..."
(8:2)
"They are something. The people. But in there it's just for practice. I don't feel too strongly about any of it. Just trying to record what I see." (8:3)
"Yes? Me too." (8:4)
"You draw?" (8:5)
"Ha ha, no. I try to do it with words. I write."
(9:1)
"Novelist?"
"Journalist."
(9:2)
"Less eloquent in my choice of language, however. These are really quite excellent." (9:4)
"That's very kind of you, Herr...?" (9:5)
"I'm sorry, how rude of me. Severing. Kurt Severing."
"Marthe Muller. Are you travelling on an assignment of some sort?"
[sic] (9:6)
"Yes. I've just been checking some background details for someone else's article as a favor to my editor." (9:10)
"And you? I see by your luggage that this is no small journey." (9:11)
"I'm from Koln. I'm afraid I've never been to the city before."
"Are you?"
(10:1)
"Excuse me?" (10:2)
"Afraid. Are you afraid?" (10:3)
"No. Do I have reason to be?"
(10:5)
"Well, Koln is sizable, but is it a city in the modern sense? Our destination is certainly such a place. I would think a degree of apprehension normal for a first-time visitor." (10:6)
"Our friend here...His is one among many factions which clash in the streets with increasing frequency." (10:7)
"Communists, socialists, nationalists, democrats, republicans, criminals, beggars, thieves and everything in between. All mixed up together--" (10:8)
"Are you trying to make me afraid Herr Severing?" (10:9)
"Of course not. Forgive me. It's easy for me to get carried away, talking about it."
(11:1)
"I've lived there for some time, you see...I've watched it grow and change immensely in the past ten years...There is more of everything and everything moves faster than ever." (11:2)
"Of course, that means there's plenty for a new arrival to be excited about. It is, as many people are fond of saying, second only to Paris as the cultural center of Europe." (11:3)
"The theater, the arts--While I've been out of town they've released the first German 'talkie.' Can you imagine?" (11:4)
"There are something like, I don't know, 3,000 newspapers and magazines published right in the city, so for me..." (11:5)
"I suppose your discontent must have a lot to do with your profession." (11:6)
"Don't get me wrong Fraulein Muller; I have many misgivings..." (11:7)
"There is much about it that troubles me." CH CH CH CH CH CH CH C (11:8)
"But in the end, I can call no other place my home." H CH CH CH CH CH ch ch ch ch ch (11:9)
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